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For  to search of the most of authors: ( http://en.wikipedia.org/wiki/Main_Page )

Priestley’s Web

I let a Url dedicated to J. B. Priestley. It’s very interesting. Enjoy it.

http://www.jbpriestley.co.uk/

An Inspector Calls

An Inspector Calls

by J B Priestley

Information extracted of: http://www.gardensuburbtheatre.org.uk/Productions%5C2000-2005%5CInspectorCalls%5Cinspector.htm#priestley

Director: Colin Gregory

The play: An Inspector Calls is a psychological thriller and classic of the 20 th century stage. Ostensibly investigating a girl’s suicide, the mysterious inspector strips away the self-assurance of the other characters as they discover they are all implicated in her death. The play is set in an industrial town in the north midlands in 1912.

Director’s Introduction

Colin Gregoy introduces the October Show: An Inspector Calls

One of Priestley’s best known works, the play has a cast of four men and three women. It was first produced in London in 1946, with Alec Guinness in the cast and Ralph Richardson in the role of the inspector. In the mould of the typical “well made play”, it is set in the home of a prosperous midlands industrialist in 1912, and at first it sight seems to be a conventional detective thriller. But nothing is quite what it seems: at the end no one is sure if the mystery is solved – and the audience are left with more questions than they started with to ponder on the way home.

Priestley was born in Bradford in 1894 and his output over his long life was huge. The Oxford Companion to English Literature describes him with a series of contradictory epithets: “…cosmopolitan Yorkshireman, professional amateur, cultured Philistine, reactionary Radical…” The play, like its author, is hard to define. The National Theatre’s production a few years ago, which ran for some time in the West End, focused on its threads of socialism. (Curiously, it had its first production in Moscow in 1945.) But it cannot be pinned down to 1945 or any other date. Although Priestley is specific about the setting, it has a timeless quality, which is a reason why it still appeals today. Another is that, quite apart from psychology and politics, it’s a jolly good yarn!

http://www.grenville-media.com/images/349/An%20Inspector%20calls.jpg

About the author

J B Priestley

John Boynton Priestley was born in Yorkshire in 1894. He knew early on that he wanted to become a writer, but decided against going to university as he thought he would get a better feel for the world around him away from academia. Instead, he became a junior clerk with a local wool firm at the age of 16.

When the First World War broke out, Priestley joined the infantry and only just escaped death on a number of occasions. After the war, he gained a degree from Cambridge University, then moved to London to work as a freelance writer. He wrote successful articles and essays, then published the first of many novels, The Good Companions in 1929. He wrote his first play in 1932 and went on to write 50 more. Much of his writing was ground-breaking and controversial. He included new ideas about possible parallel universes and strong political messages.

During World War 2 he broadcast a massively popular weekly radio programme which was attacked by the Conservatives as being too left-wing – and eventually cancelled by the BBC for being too critical of the Government.

He continued to write into the 1970s, and died in 1984

Political views

During the 1930’s Priestley became very concerned about the consequences of social inequality in Britain, and in 1942 Priestley and others set up a new political party, the Common Wealth Party which argued for public ownership of land, greater democracy, and a new “morality” in politics. The party merged with the Labour Party in 1945, but Priestley was influential in developing the idea of the Welfare State which began to be put into place at the end of the war.

He believed that further world wars could only be avoided through cooperation and mutual respect between countries, and so became active in the early movement for a United Nations. And as the nuclear arms race between West and East began in the 1950s, he helped to found CND, hoping that Britain would set an example to the world by a moral act of nuclear disarmament.

1912 to 1945

This was the period of the Russian Revolution, two appalling world wars, the Holocaust and the Atom Bomb.

Set in 1912. Written in 1945.
World War I would start in 2 years. Birling’s optimist view that there would not be a war is completely wrong World War II ended on 8 May 1945. People were recovering from nearly 6 years of warfare, danger and uncertainty.
There were strong distinctions between the upper and lower classes. Class distinctions had been greatly reduced as a result of two world wars.
Women were subservient to men. All a well off women could do was get married; a poor woman was seen as cheap labour. As a result of the wars, women had earned a more valued place in society.
The ruling classes saw no need to change the status quo. There was a great desire for social change. Immediately after World War 2, Labour’s Clement Attlee won a landslide victory over the Conservative Winston Churchill.

Priestley deliberately set his play in 1912 because the date represented an era when all was very different from the time he was writing. In 1912, rigid class and gender boundaries seemed to ensure that nothing would change. Yet by 1945, most of those class and gender divisions had been breached. Priestley wanted to make the most of these changes. Through this play, he encourages people to seize the opportunity the end of the war had given them to build a better, more caring society.

Mini Biography

Mini Biography

John Boynton Priestley was one of England’s last great writers — he was a member of the last generation of freethinking British “sages” who contemplated both science and philosophy in their literary output. Today, his books are mostly out of print and his name is all but forgotten except in the dusty, forgotten stacks of university libraries and used book dealers — a most undeserved fate for one of the deepest thinkers and most influential essayists and playwrights of the twentieth century. In his long life, which ended in 1984, he became world famous as an essayist, playwright, novelist, social critic and historian, but he also made contributions in the form of an opera libretto (The Olympians), a television screen play, a volume of poetry, many amateur paintings, several short stories and he even went as far as to take the lead in one of his own plays (without rehearsal) when the one of the actors took sick suddenly. John Boynton Priestley, known as Jack or J.B., was born at 34 Mannheim Road, off Toller Lane in September of 1894 in the town of Bradford in Yorkshire. His father was a successful schoolmaster and his mother died when he was still an infant. Priestley studied at Belle Vue Grammar School, but left his studies at the age of sixteen and worked as a junior clerk at Helm & Co., a wool firm (1910-1914) in Swan Arcade. During these years he started writing at night and beagn to publish articles in local and London papers. He was a regular unpaid contributor to the Bradford Pioneer, a Labour Party paper. Priestley served in World War I in Flanders, Germany with the Duke of Wellington’s and Devon regiments, and survived the front lines although he was seriously injured once. He became one of the most prolific writers of the 20th century and was made a Freeman of Bradford. The J.B. Priestley Library at the University of Bradford was named after his as a token of his hometown’s affection for him. Priestley’s first book was actually a volume of poetry called The Chapman of Rhymes written during his teens; he finally published (at his own expense)in 1918 while he was serving in World War I thinking that he should “leave something behind” in the event that he was killed like so many of his comrades. But even though he was wounded in the war, Priestley was not killed, and in the 1920’s set himself up as an essayist after taking his degree at Trinity Hall in Cambridge University when the war was over. He studied literature, history and political science, receiving his B.A. after two years there in 1921. From 1922 he worked as a journalist in London, starting his career as an essayist and critic at various newspapers and periodicals, including the New Statesman. His first book published by a professional publisher, Brief Diversions, a collection of essays, appeared in 1922, and was the result of his nightly writing efforts. He turned out approximatley one essay per week during this period until turning to novels in the later part of the decade. When he began to write fiction, he would often produce as many as three books within one year. One of the reasons for his early productivity was that unlike most other writers of the twentieth century, Priestley was always someone who depended on writing for his livelihood. As one one might expect, much of this work was of somewhat inferior quality, but it also gave him the opportunity of trying put a large number of approaches and of helping to hone his writing skills. Priestley’s early essays were in the Georgian style; a style that has lost favour since then, but it was important to remember that to be able to get his work published, Priestley had to conform some of his writing to meet popular tastes of his day. The chief faults of these “familiar” essays is that they really weren’t usually about anything in particular — they tended to be filled with rambling, over-generalisations, and personal opinion and they lacked direction. There was seldom any subtlety in this manner of writing and the whole style seemed a bit overblown and artificial. The results were that at a certain point, JBP beagn to sense that he had exhausted the medium that he had chosen, which ultimately prompted his turn to fiction. The theory behind the writing of such essays was also very nearly the opposite of what we typically consider good essay writing today. Priestley held that essays were primarily to be used as vehicles for the author’s personality to show through, and do not necessarily have to be about any particular subject; fortunately, he didn’t always follow this paradigm. Later in his life, Priestley would return to the essay, but these always seemed to have a sense of purpose and they had greater depth than these early inconsequential essays. Nevertheless, the time that he spent writing these essays to please the public in his youth left its mark upon him, and he was to struggle for the rest of his life to throw off the “bad influence” of this early writing style, in much the same way that H.P. Lovecraft had to battle with hack writng infiltrating his style. Since it was so difficult for a young playwringht to get any plays produced, Priestley decided to create his own opportunity by founding his own production company, English Plays, Ltd., for his plays, and in 1938-39 he was director of the Mask Theatre in London. Priestley was married three times, for the first time in 1919 with Emily Tempest, who died young in 1925, the Mary (‘Jane’) Wyndham Lewis, the former wife of the biographer and satirist D.B. Wyndham Lewis. In 1953 he married the archeologist Jacquetta Hawkes, with whom he lived in Warwickshire in Kissing Tree House, situated near Stratford-upon-Avon, near Shakespeare’s house. During his long and productive career Priestley published over 120 books, usually light and optimistic in their tone. His prolific production continued over sixty years. From the age of 70 to 84 Priestley published yet 21 books. As an essayist Priestley wrote for the ‘middle brow’ audience, always making an especial effort to insure that his work was accessible to the common people and had relevance to them rather than like the “professors”, as he tended to refer to professional academics, who delighted in abstract arguments that most people either could not understand or did not care to know, while being thoughtful enough to always be considered “real” literature. The topics and themes are numerous. In his pamphlet Letter To A Returning Serviceman (1945) Priestley shared the common sentiment that Britain was obliged to rebuilt after the war along socialist lines, in Britain and in The Nuclear Bombs (1957) he argued for the moral superiority that unilateral nuclear disarmament would bring, in Disturbing (1967) he criticized contemporary playwrights for creating works that sought to “disturb” a reading public already disturbed by their own problems, and in Particular Pleasures (1975) he stated that works of art should meet some need, and not be evaluated on programmatic grounds. Priestley was a publisher’s dream come true and it can be truly said that William Heinemann, his primary British oublisher really struck a gold mine when he took a chance on Priestley, as no one could match him in his diversity and willingness to take on any sort of job; film scripts, essays, plays, opera librettos, verse, editing, introductions, commentaries, radio broadcasts, pamphlets — Priestley willingly (and successfully) did it all. There were several subjects which the pipe-smoking Priestley felt drawn to repeatedly throughout his long and fruitful career. Among these were the nature of the British character, the theatre, and the nature of time. The metaphysical nature of time crops up in nearly all of Priestley’s work, from the light-hearted No School Report to his magnum opus, Man and Time, and nearly all of his plays involve various hypothetical situations that involve unusual perspectives on time. In Man and Time and in Over the Long, High Wall, Priestley builds upon the theories of the engineer (not the 17th century poet!) John W. Dunne, the author of An Experiment With Time, The Serial Universe, and Nothing Dies, among others.. Priestley hypothesizes that time is somewhat more complicated than we have previously thought and that there is more than one dimension of time which result in humans experiencing a different quality of time, just as there is more than a single dimension of space, and that we can experience each type of time at different parts in our lives. This leads him to an investigation of Dunne’s theories of precognitive dreams (“memories of the future”), which Priestley had began experiencing some years back. In the Magicians, Priestley uses the time-recurrence theory of Ouspensky to hypothesize that although our time is all we have, we have it for an eternity, and that we are capable of altering the outcome of our lives by learning and improving on our choices throughout each gyre (the cycle-of-time idea seems to suggest Yeats’ influence as well as Ouspensky’s). The paradoxical nature of the British character also intrigued Priestley. The British people have unarguably the strongest literary tradition in the world — in the mass of the output as well as the quality of the material produced. But throughout the world, the British people have a tendency to be looked upon as dull, stuffy, unimaginative, unromantic and in general, incredibly boring and uninteresting people. But if this is a true estimation of the British, where did such wonderful literature and poetry come from? Priestley studied this inconsistency and eventually came up with a theory which he thought would explain this discrepancy. By the time the second world war came around, Priestly had become acutely aware of the way in which Britain was changing. He was saddened to realise that the world that he knew and cherished was rapidly vanishing. But it was something more than an aging man’s nostalgia for the “good old days”. He noticed that the British were losing their essential “Englishness” slowly, but surely. And they were losing their creativity as well — noone can deny that the centuries-old fount of poetic and literary creativity has been drying up since the second world war. Priestley gained considerable fame as “the voice of the common people”, as he was often called, a patriotic radio broadcaster, second in popularity only to Churchill. It must be said that Priestley’s patriotism was never at any time mere nationalism, but sprung from a genuine love of his homeland, and not politicalpower-brokerage like so many social commenators today. At the early stage of the Cold War he become known during for his support for the Campaign for Nuclear Disarmament and in 1946-47 he was an U.K. delegate to UNESCO conferences. In the late thirties, Priestley turned his attention to the theatre; his fascination with the theatre in his professional life paralleled his personal interest in dreams. He seems to have regarded the atmosphere of the theatre as very similar in nature to that of dreams; he was to use this similarity to great effect in most of his plays. The most famous of his plays took advantage of the dream-like atmosphere to present his theories about time. The most famous of these was Johnson Over Jordan, a play that used Ouspensky’s idea about temporal recurrence with variations. In A Dangerous Corner, a play which Priestly refered to as “a box of tricks”, Priestley uses the idea of a “split” in time; the action of the play occurs once but at a critical moment in the plays development, the play begins again without the random comment that causes the conflict of the drama to take place, allowing us to consider the alternatives to every present state that depend on random choices. Time and the Conways uses the idea that time is not merely a series of “nows”, but that the it is actually an illusion in the way that we perceive reality — that there are other types of time rather than the sequential time with which we are more familiar, which he refers to as “Consensus-Time”, which seems to parallel mathematician Rudy Rucker’s views as described in his Geometry, Relativity, and teh Fourth Dimension. This interest in the metaphysics of time would last for the rest of his life. As he got older, Priestley became more seriously intertested in social and political problems in England, and he turned his attention to these. At this stage, his writing had fully matured, and whenever JBP penned anything, everyone could easily recognize him as a man with something to say, and who said it well enough to command the attention of even a notoriously complacent populus. As a consequence, when Priestley wrote anything in his later years, it seemed as though he had the ability to see much deeper than most of his contemporaries and by this time, he had developed into a “sage”, a man who seemed to possess a wisdom and clarity of insight which has made his work timeless, although currently out of fashion among the sensation-seeking consumers and producers of modern “literature”. He was offered a knighthood and a peerage as a token of his homeland’s esteem for his work, both of which he refused, but he did accept the Order of Merit in 1977. He died in August 14, 1984 at the age of 89 and is buried at Hubberholme.

J. B. Priestley

De Wikipedia, la enciclopedia libre

John Boynton Priestley, OM. (Bradford, 13 de septiembre de 1894Stratford-upon-Avon, 14 de agosto de 1984). Escritor, dramaturgo y locutor británico.

Contenido

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Biografía

Nació en Bradford. Su padre era profesor y su madre se murió joven. Después de sus estudios en “grammar school”, consiguió un trabajo en el comercio de lana. Durante la Primera Guerra Mundial sirvió en el 10º batallón del Regimiento del Duque de Wellington en el frente francés. Herido en 1916 regresó a su país y a los seis meses fue destinado de nuevo al frente pero sufrió lesiones por un ataque alemán con gas y volvió definitivamente a Inglaterra donde ingresó en el Trinity Hall de Cambridge y en 1925 ya se había creado gran fama como escritor satírico y humorista. Con su novela, The Good Companions en 1929 obtuvo el primer éxito editorial. A ella siguió en 1930 Angel Pavement que le convirtió en autor popular. Como dramaturgo publicó en 1946, An Inspector Calls, quizás su obra favorita, que fue llevada al cine en 1954 por Alastair Sim. Priestley, obsesionado por el tema del tiempo, escribió una serie de obras en donde éste se convierte en el auténtico protagonista.”Esquina peligrosa”, “El tiempo y los Conway” y “Yo estuve aquí antes” son buenos ejemplos de ello.

Durante la Segunda Guerra Mundial fue locutor de la BBC. Comenzó sus emisiones el 5 de junio de 1940. Su manera de informar sobre el conflicto le rodeo de gran eco en la audiencia y, después de algunos meses donde se estimó niveles del 40 por 100 de radioyentes, miembros del Partido Conservador se quejaron a la dirección por considerar que Priestley expresaba opiniones izquierdistas. En consecuencia se censuró, emitiéndose por última vez el programa el 20 de octubre de 1940. Al final del año, Priestley consiguió publicar textos escogidos de aquellas emisiones bajo el título de Britain Speaks.

Se había casado poco antes con la arqueóloga Jacquetta Hawkes. Perteneció al Comite 1941 junto con Tom Hopkinson, Edward G. Hulton, Kingsley Martin, Richard Acland, Michael Foot, Peter Thorneycroft, Thomas Balogh, Richie Calder, Tom Wintringham, Vernon Bartlett, Violet Bonham Carter, Konni Zilliacus, Victor Gollancz, Storm Jameson y David Low que pretendía defender la propiedad pública de los bienes que consideraban comunes, y más en tiempos de guerra, como los ferrocarriles, los grandes latifundios y llamaban la atención hacia la necesidad de un cambio en la política postbélica en temas sociales como la educación y los derechos fundamentales.

Después fue miembro fundador del Common Wealth Party, formado por muchos de los anteriores componente del Comité de 1941. Participó igualmente en la Campaña por el Desarme Nuclear en 1958.

Otras obras destacadas

  • Benighted (1927)
  • Dangerous Corner (1932)
  • Time and the Conways (1937)
  • Three Men in New Suits (1945)
  • The Magicians (1954)
  • Man and Time (1964)
  • Lost Empires (1965)
  • Over The long High Wall (1972)
  • La visita del inspector (1969)

Ediciones en español

Bibliografía

Enlaces externos

(1) In his book Margin Released, J. B. Priestley described his training as a young British soldier at the beginning of the First World War.
It is not true, as some critics of the First War British high command have suggested, that Kitchener’s army consisted of brave but half-trained amateurs, so much pitiful cannon-fodder. In the earlier divisions like ours, the troops had months and months of severe intensive training. Our average programme was ten hours a day, and nobody grumbled more than the old regulars who had never been compelled before to do so much and for so long.

(2) J. B. Priestley met Lord Kitchener (wikipedia) in 1915.
I had a close view, finding him older and greyer than the familiar pictures of him. The image I retained was of a rather bloated purplish face and glaring but somehow jellied eyes. A year later, when we heard he had been drowned, I felt no grief, for it did not seem to me that a man had lost his life: I saw only a heavy shape, its face now an idol’s going down and down into the northern sea. yet it was he – and he alone – who had raised us new soldiers out of the ground.

(3) J. B. Priestley, letter to his father, Jonathan Priestley (27th September, 1915)
In the last four days in the trenches I don’t think I’d eight hours sleep altogether. It is frightfully difficult to walk in the trenches owing to the slippery nature of things, the most appalling thing is to see the stretcher bearers trying to get the wounded men up to the Field Dressing station. On Saturday morning we were subjected to a fearful bombardment by the German artillery; they simply rained shells. One shell burst right in our trench – and it was a miracle that so few – only four – were injured. I escaped with a little piece of flesh torn out of my thumb. But poor Murphy got a shrapnel wound in the head – a horrible great hole – and the other two were the same. They were removed soon after and I don’t know how they are going on.

(4) J. B. Priestley, letter to his father, Jonathan Priestley (26th October, 1915)
We have been digging trenches since we have been here; it is very hard work, as the soil is extremely heavy, the heaviest clay I have ever dug and I’ve as much experience in digging as most navvies. You may gather the speed we work when a man has to do a ‘task’ – 6 ft long, 4 ft broad and 2 ft 6 ins deep in an afternoon. Yesterday afternoon I had got right down to the bottom of the trench, and consequently every blooming shovelful of clay I got I had to throw a height of 12 ft to get it out of the back and over the parapet.

(5) J. B. Priestley, letter to his father, Jonathan Priestley (December, 1915)
The communication trenches are simply canals, up to the waist in some parts, the rest up to the knees. There are only a few dug-outs and those are full of water or falling in. Three men were killed this wee from falling dugouts I haven’t had a wash since we came into these trenches and we are all mud from head to foot.

(6) J. B. Priestley, Postscripts, radio broadcast (5th June, 1940)
I wonder how many of you feel as I do about this great Battle and evacuation of Dunkirk. The news of it came as a series of surprises and shocks, followed by equally astonishing new waves of hope. What strikes me about it is how typically English it is. Nothing, I feel, could be more English both in its beginning and its end, its folly and its grandeur. We have gone sadly wrong like this before, and here and now we must resolve never, never to do it again. What began as a miserable blunder, a catalogue of misfortunes ended as an epic of gallantry. We have a queer habit – and you can see it running through our history – of conjuring up such transformations. And to my mind what was most characteristically English about it was the part played not by the warships but by the little pleasure-steamers. We’ve known them and laughed at them, these fussy little steamers, all our lives. These ‘Brighton Belles’ and ‘Brighton Queens’ left that innocent foolish world of theirs to sail into the inferno, to defy bombs, shells, magnetic mines, torpedoes, machine-gun fire – to rescue our soldiers.

(7) J. B. Priestley, Postscripts, radio broadcast (21st July, 1940)
We cannot go forward and build up this new world order, and this is our war aim, unless we begin to think differently one must stop thinking in terms of property and power and begin thinking in terms of community and creation. Take the change from property to community. Property is the old-fashioned way of thinking of a country as a thing, and a collection of things in that thing, all owned by certain people and constituting property; instead of thinking of a country as the home of a living society with the community itself as the first test.

(8) J. B. Priestley, Britain Speaks (1940)
It so happens that this war, whether those at present in authority like it or not, has to be fought as a citizen’s war. There is no way out of that because an order to defend and protect this island, not only against possible invasion but also against all the disasters of aerial bombardment, it has been found necessary to bring into existence a new network of voluntary associations such as the Home Guard, the Observer Corps, all the A.R.P. and fire-fighting services, and the like … They are a new type, what might be called the organized militant citizen. And the whole circumstances of their wartime life favour a sharply democratic outlook. Men and women with a gift for leadership now turn up in unexpected places. The new ordeals blast away the old shams. Britain, which in the years immediately before this war was rapidly losing such democratic virtues as it possessed, is now being bombed and burned into democracy.

(9) Sir Richard Maconachie, head of BBC radio talks, letter to A. P. Ryan (6th September 1940)

Priestley has definite social and political views which he puts over in his broadcasts and through these broadcasts is, I think, exercising an important influence on what people are thinking. These views may be admirable or otherwise, but the question which I wish to raise is whether any single person should be given the opportunity of acquiring such an influence to the exclusion of others who differ from him merely on the grounds of his merits as a broadcaster,
which are, of course, very great.

(10) Graham Greene, The Spectator (wikipedia) (13th December 1940)
Priestley became in the months after Dunkirk a leader second only in importance to Mr Churchill. And he gave us what our other leaders have always failed to give us – an ideology.

(11) Richard Acland, (wikipedia) letter to his son (1977)
In 1941 J. B. Priestley was responsible for sustaining the morale of the people through the worst months of the war. His thinking, though not identical to mine, was often parrallel to it.

(12) Margaret Thatcher, (wikipedia) The Path of Power (1995)

The command economy required in wartime conditions had habituated many people to an essentially socialist mentality. Within the Armed Forces it was common knowledge that left-wing intellectuals had exerted a powerful influence through the Army Education Corps, which as Nigel Birch observed was ‘the only regiment with a general election among its battle honours’. At home, broadcasters like J.B. Priestley gave a comfortable yet idealistic gloss to social progress in a left-wing direction. It is also true that Conservatives, with Churchill in the lead, were so preoccupied with the urgent imperatives of war that much domestic policy, and in particular the drawing-up of the agenda for peace, fell largely to the socialists in the Coalition Government. Churchill himself would have liked to continue the National Government at least until Japan had been beaten and, in the light of the fast-growing threat from the Soviet Union, perhaps beyond then. But the Labour Party had other thoughts and understandably wished to come into its own collectivist inheritance.

In I945 therefore, we Conservatives found ourselves confronting two serious and, as it turned out, insuperable problems. First, the Labour Party had us fighting on their ground and were always able to outbid us. Churchill had been talking about post-war ‘reconstruction’ for some two years, and as part of that programme Rab Butler’s Education Act was on the Statute Book. Further, our manifesto committed us to the so-called ‘full employment’ policy of the 1944 Employment White Paper, a massive house-building programme, most of the proposals for National Insurance benefits made by the great Liberal social reformer Lord Beveridge and a comprehensive National Health Service. Moreover, we were not able effectively to take the credit (so far as this was in any case appropriate to the Conservative Party) for victory, let alone to castigate Labour for its irresponsibility and extremism, because Attlee and his colleagues had worked cheek by jowl with the Conservatives in government since 1940. In any event, the war effort had involved the whole population.

(13) In his autobiography, Margin Released, J. B. Priestley explained why he was taken off the BBC during the Second World War (1962)
I received two letters – I kept them for years but may have lost them now – one was from the Ministry of Information, telling me that the BBC was responsible for the decision to take me off the air, and the other was from the BBC, saying that a directive had come from the Ministry of Information to end my broadcasts.

(14) J. B. Priestley, New Statesman (2nd November, 1957)
In plain words: now that Britain has told the world that she has the H-Bomb she should announce as early as possible that she has done with it, that she proposes to reject in all circumstances nuclear warfare.

We ended the war high in the world’s regard. We could have taken over its moral leadership, spoken and acted for what remained of its conscience, but we chose to act otherwise. The melancholy consequences were that abroad we cut a shabby figure in power politics and at home we shrug it all away or go to the theatre to applaud the latest jeers and sneers at Britannia.

Alone we defied Hitler: and alone we can defy this nuclear madness there may be other chain-reactions besides those leading to destruction: and we might start one. The British of these times, so frequently hiding their decent kind faces behind masks of sullen apathy or some cheap cynicism, often seem to be waiting for something better than party squabbles and appeals to their narrowest self-interest, something great and noble in its intention that would make them feel good again. And this might well be a declaration to the world that after a certain date one power able to engage in nuclear warfare will reject the evil thing for ever.

(15) Diana Collins, interview with Vincent Brome (26th June, 1986)
He (J. B. Priestley) was a lovely man. He believed and practised some of the best virtues: integrity; honesty; loyalty to his old friends. He was kind, generous, immensely understanding and I never heard him flatter anybody. He was a wonderful giver but not a good receiver because he didn’t want to be beholden to anybody. Behind the big public figure he was really a shy man who believed in old-fashioned courtesy. And what a lovely father figure he made. Deeply aware? Of course he was deeply aware. Sometimes in the afternoons I noticed a great melancholy overtaking him. He would talk then of the individual being a bubble on the stream of life which quietly burst when its day was done and disappeared downstream, but he stopped short of the idea of complete annihilation.

All Url’s are in “First Paper”.

Priestley’s Biography:

John Boynton Priestley was born in Bradford in 1894. On the outbreak of the First World War  Priestley immediately joined the British Army.  He was sent to France and in September 1915 took part in the Battle of Loos. After being wounded in 1917 Priestley sent back to England for six months. Soon after returning to the Western Front  he endured a German gas attack. Treated at Rouen he was classified by the Medical Board as unfit for active service and was transferred to the Entertainers Section of the British Army.
When Priestley left the army he became a student at Trinity Hall, Cambridge.  At university Priestley he gained valuable experience by writing for the Cambridge Review. After completing a degree in Modern History and Political Science, Priestley found work as theatre reviewer with the Daily News.  He also contributed articles to the Spectator, the Challenge and Nineteenth Century. Priestly also began writing books and his early critical writings such as The English Comic Characters (1925), The English Novel (1927), English Humour (1928) established his reputation as an important commentator on literature.

Priestley also wrote popular novels such as The Good Companions (1929), Angel Pavement (1930) and over fifty plays; the most notable being Dangerous Corner (1932), Time and the Conways (1937), When We Are Married (1938) and An Inspector Calls (1947).

In the 1930s Priestley became increasing concerned about social problems. This is reflected in English Journey (1934), an account of his travels through England.

During the Second World War  Priestley became the presenter of Postscripts, a BBC Radio  radio programme that followed the nine o’clock news on Sunday evenings. Starting on 5th June 1940, Priestley built up such a following that after a few months it was estimated that around 40 per cent of the adult population in Britain was listening to the programme.

Some members of the Conservative Party  complained about Priestley expressing left-wing views on his radio programme. As a result Priestley made his last talk on 20th October 1940. These were later published in book form as Britain Speaks (1940).

Priestley and a group of friends now established the 1941 Committee. One of its members, Tom Hopkinson, later claimed that the motive force was the belief that if the Second World War was to be won “a much more coordinated effort would be needed, with stricter planning of the economy and greater use of scientific know-how, particularly in the field of war production.”

Priestley became the chairman of the committee and other members included Edward G. Hulton, Kingsley Martin, Richard Acland, Michael Foot, Peter Thorneycroft, Thomas Balogh, Richie Calder, Tom Winteringham, Vernon Bartlett, Violet Bonham Carter, Konni Zilliacus, Victor Gollancz, Storm Jameson and David Low.

In December 1941 the committee published a report that called for public control of the railways, mines and docks and a national wages policy. A further report in May 1942 argued for works councils and the publication of “post-war plans for the provision of full and free education, employment and a civilized standard of living for everyone.”

On 26th July 1941 Priestley, Richard Acland and other members of the 1941 Committee established the socialist Common Wealth Party. The party advocated the three principles of Common Ownership, Vital Democracy and Morality in Politics. The party favoured public ownership of land and Acland gave away his Devon family estate of 19,000 acres (8,097 hectares) to the National Trust.

Priestley was chairman of the new party but after a dispute with Acland he resigned on 28th September. The C went on to win by-elections against Conservatives at Eddisbury, Skipton and Chelmsford. However, in the 1945 General Election only one of its twenty-three candidates was successful – at Chelmsford, where there was no Labour contestant. The Common Wealth Party was dissolved in 1945 and most members joined the Labour Party.

Some members of the Labour Party disapproved of the electoral truce between the main political parties during the Second World War and in 1942 Priestley and Richard Acland formed the socialist Common Wealth Party. The party advocated the three principles of Common Ownership, Vital Democracy and Morality in Politics. The party favoured public ownership of land and Acland gave away his Devon family estate of 19,000 acres (8,097 hectares) to the National Trust.

The party won by-elections against Conservatives at Eddisbury, Skipton and Chelmsford. However, in the 1945 General Election only one of its twenty-three candidates was successful – at Chelmsford, where there was no Labour contestant. The Common Wealth Party was dissolved in 1945 and most members joined the Labour Party.

After the war Priestley continued to wrote on politics and literature. He wrote an article for the New Statesman entitled Russia, the Atom and the West, where he attacked the decision by Aneurin Bevan to abandon his policy of unilateral nuclear disarmament (2nd November, 1957). The article resulted in a large number of people writing letters to the journal supporting Priestley’s views. Kingsley Martin, the editor of the New Statesman, organised a meeting of people inspired by Priestley and as result they formed the Campaign for Nuclear Disarmament (CND). Early members of this group included Priestley, Bertrand Russell, Fenner Brockway, Victor Gollancz, Canon John Collins and Michael Foot .
In his later years Priestley wrote two volumes of autobiography: Margin Released (1962) and Instead of the Trees (1977). John Boynton Priestley died on 14th August, 1984.

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